• 職稱：副教授
• Office Hour：By appointment
• 電話：(03) 5715131#42705
• 電子郵件：shihyihuang [at] mx.nthu.edu.tw
• 辦公室：人社院A512
• 最高學歷：美國路易斯安那州立大學劇場藝術博士
• 授課領域:西洋戲劇史、戲劇理論、當代美國戲劇、美國文學、文學作品導讀
• 研究專長：美國戲劇、文化研究、醫療與戲劇、倫理學

期刊論文

• 〈A Farcical Tragedy: Communal Vision in George Bernard Shaw's The Doctor's Dilemma: A Tragedy〉.《文山評論：文學與文化 The Wenshan Review of Literature and Culture》. June 2017. (THCI-core).
• "Utopia in Theatre: 'Mulian Rescues Mother Earth'"" in Ecocriticism in Taiwan: Identity, Environment, and the Arts. Edited by Chia-ju Chang and Scott Slovic, Lexington Books. June 2016.
• 〈歷史之餘：當代非裔美人劇場中缺席的父親們〉《中外文學》第44 卷‧ 第2 期‧2015 年6 月‧ 頁81-106 (THCI-core). Reprinted in 《非裔美國文學論文集》. Feb. 2018 (forthcoming).
• 〈何處是歸家？李維拉之《瑪莉莎》中的空間與倫理〉《英美文學評論》25(2014): 139-60。(THCI-core)
• "Intimate Ethics and National Politics in Tony Kushner's Angels in America." Taipei: NTU Studies in Language and Literature. 29期 (June 2013) ， P87 – 115 (THCI-core)
• "Who is Sylvia or Who Are We?: Alternative Subjectivity in Albee's The Goat or, Who is Sylvia?: Notes toward a Definition of Tragedy." New Taipei: Tamkang Review 42.1, Dec., 2011: 127-145. (THCI-core)
• 〈甘為他者盤飧：馬夏‧諾曼《晚安，媽》劇中之自殺以求重生〉. Ed. Hanping Chiu. Review of English and American Literature《英美文學評論》. Kaoshuang: Spring 2006: 181-203. (THCI-core)

專書論文

• "A Reverse Alchemy: Capitalism, Nationalism, Epistemplogy, and Ethics in Mary Zimmerman's Metamorphoses." Kairos: Studies in Cultures and Literatures 1.1. Taipei: Crane. 2010. 75-92.

研討會論文

• 第二十九屆英美文學國際學術研討會「非物質」。”詰問後現代倫理之「文類戰爭」：諾提奇近期劇作之轉向。”國立師範大學。2021年10月30日星期六。
• 「視界、跨界、境界：劇場與電影之研究展望暨張靄珠教授榮退學術研討會」“Kill to Claim a Clan: Painful BorderCrossing in Cherrie Moraga's The Hungry Woman: The Mexican Medea.”國立陽明交通大學。June 24, 2021.
• 第二十八屆英美文學研討會。“A Naturalistic Scam? The Badiouean Spectator inTopdog/Underdog” Oct 2020 。國立政治大學
• ICATD 2020: 14. International Conference on American Theatre and Drama.“The Imminent Other in Anna Deavere Smith'S Performance.” July 06-07,2020 in Singapore, Singapore.
• 第四十一屆比較文學會議「新世紀的醫療人文研究」。“吻不吻：Stop Kiss中鏡像神經元映出的倫理觀。” 國立交通大學外文系。June 2019。
• 科技部人文司外文學門第六屆（104-106年度）專題計畫研究成果發表會. “"Community, theatrical genres anddisease."108年3月8日國立中正大學.
• 2019. The Asian Conference on Arts and Humanities. “Little Certain Happiness, Fake Death and Community in The Death Chronicles.” March 2019.
• 2015「生命倫理與醫學人文」研討會︰身體、心理與疾病書寫」高雄醫學院（Center of Languages and Culture, Kaohsiung Medical University) "To protect or to negate." Oct. 2, 2015.
• ACLA 2015 "Forgiveness and Time—Gendered Trauma in Women's Theatre" March 26-28, 2015. "Unsettling the Sense of Community in the Xiao Zi-Han Dance Troupe's 'Love Gleaners'"
• International Symposium on Literature and the Environment in East Asia (ISLE-EA). Okinawa, Japan. Nov. 22-23, 2014.
• "A Farcical Tragedy: Community in George Bernard Shaw's The Doctor's Dilemma: A Tragedy" 英美文學研討會（政大）--Nov. 1, 2014
• "黑人劇場中的缺席父親" 中華民國比較文學會議 高師大 May 17, 2014
• "Trauma and the Production of Memory in Paula Vogel's How I Learned to Drive and Diana Son's Stop Kiss" The First International Deleuze Studies in Asia Conference May 31-June 2, 2013 (Tamkang University, Taipei, Taiwan)
• "Bodily Orifices as a Site of Cultural Intervention in Cherrie Moraga's The Hungry Woman: The Mexican Medea" 3rd Asian Conference on Cultural Studies (the Cultural Studies Association of Australasia) May 24-26 2013 (the Ramada Osaka, Osaka, Japan)
• "Spectacle and space: epistemological anxiety (ethics) in Jose Rivera's Marisol" 20th Annual Conference of the English and American Literature Association (EALA) of the Republic of China & English Department, Fu Jen Catholic University, Nov. 24 2012 (Taipei, Republic of China)
• "Who is Sylvia or who are we?: Alternative Subjectivity in Albee's The Goat or, Who Is Sylvia?" 34th Annual Comparative Drama Conference Loyola Marymount University, March 25-27, 2010 (Los Angeles, CA)
• "The Disruption of Male Sexual Discourse in Paula Vogel's Hot 'n' Throbbing" SBAI Grad Conference, University of Rochester, Feb 25-26, 2010 (Rochester, New York)
• "Two Split or a Merged One: Ethical Reconsideration in Mary Zimmerman' Metamorphoses" National Popular Culture Association and American Culture Association (PCA/ACA) April 8-11, 2009 (New Orleans)
• "The Wisdom of Love: The Interplay of Mythos and Logos in David Henry Hwang's The Sound of a Voice" 2009 SETC Theatre Symposium, "The Prop's the Thing: Stage Properties Reconsidered" at Wake Forest University, April 3-5, 2009 (Winston-Salem, North Carolina)
• "When Baby Gives Birth to Parents: The Dramatization of the Stasis of Time in Paula Vogel's And Baby Makes 7" Comparative Drama Conference Loyola Marymount University, March 26-28, 2009 (Los Angeles, CA)
• "A Reverse Alchemy: Capitalism, Epistemology and Ethics in Mary Zimmerman's Metamorphoses" Theatre History Symposium of the 2009 Mid-America Theatre Conference, March 3-5, 2009 (Chicago, IL)
• "Self-Devouring and Self-Proliferation: the Inner Revolution in Marsha Norman's 'Getting Out'" LSU Women's and Gender Studies Student Conference, March 24, 2006. Baton Rouge, LA
• "The Construction of Characters through Narrative in John Lyly's Galatea" 16th Annual Mardi Gras Conference at Louisiana State University, Feb. 10, 2006 (Baton Rouge, LA)
• "Eaten by the Other" English and American Literature Association Conference, December, 2004 (Hsinchu, Taiwan)

研究計畫

• 2018/08 - 2019/07
  免疫現場：當代台灣劇場裡的死亡、愛與族群
  中華民國科技部研究計畫 主持人
• 2014/08 - 2015/07
  醫療與劇場
  中華民國科技部研究計畫 主持人
• 2012/08 - 2013/07
  當代美國劇場中的空間、知識型與倫理
  中華民國科技部研究計畫 主持人

經歷

• 2018/02 - Present
  國立清華大學 外國語文學系 副教授
• 2017/08 - 2018/01
  淡江大學 英文學系 副教授
• 2010/07 - 2017/07
  淡江大學 英文學系 助理教授